Open one of Isobelle Ouzman’s books, and you’ll be transported to a whimsical world of flora and fauna. The Bratislava-based artist (previously) carves pages of found novels and other tomes into intricate paper labyrinths of forests and meadows. Often occupied by a lone hare or fox, the fairytale scenes are imbued with a quiet, calm sense of mystery about the machinations of the imagined environments and their inhabitants.
Ouzman shares that she gravitates toward mass-produced volumes in poor condition. “Book size, depth, and paper texture play a big role in my decision as well, and I often need to hold a book in my hands before I can visualise a new artwork,” she says. The carving and drawing process depends on both the physical object and the intended narrative, taking between three weeks and three months to complete.
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